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・ Augustine Bradshaw
・ Augustine Bryan
・ Augustine Bwanausi
・ Augustine Chacon
・ Augustine Chihuri
・ Augustine Clarke
・ Augustine Colin Macdonald
・ Augustine College
・ Augustine Commission
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・ Augustine Dallemagne
・ Augustine Danglmayr
・ Augustine David Crake
・ Augustine Dominguez
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Augustin Duncan
・ Augustin Dupré
・ Augustin Ehrensvärd
・ Augustin Emil Hofmann von Hofmannsthal
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・ Augustin Flanagan
・ Augustin Friedrich Walther
・ Augustin Frédéric Kodock
・ Augustin Félix Fortin
・ Augustin Gallant
・ Augustin Gensse
・ Augustin Gottfried Ludwig Lentin
・ Augustin Grignon


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Augustin Duncan : ウィキペディア英語版
Augustin Duncan
Augustin Duncan (April 17, 1873, San Francisco – 1954, New York City〔(Necrology from Time )〕) was a U.S. actor and director active in New York and London during the first half of the 20th century.
== Biography ==
The eldest of four children of Joseph Charles Duncan, a banker, and Mary Isadora Gray, he was the brother of Isadora Duncan and Raymond Duncan.
Augustin Duncan made his stage debut in 1893 in San Francisco, and toured for seven years before appearing in New York in 1900, then continuing in roles in New York and London.
In 1919 he was a member of the Theatre Guild as a performer and director. After he separated from the Guild, Duncan directed and acted in such productions as ''The Cradle Song'' (1921), ''The Detour'' (1921), ''The First Man'' (1922), ''Hell‐Bent for Heaven'' (1924), and ''Juno and the Paycock'' (1926). He also directed plays in which he did not appear, such as ''Kempy'' (1922).
In the late 1920s his eyesight started to fail. By the early 1930s Duncan was blind. He continued to perform, playing John of Gaunt and the Ghost in Maurice Evans's productions of ''Richard II'' (1937) and ''Hamlet'' (1938). He made his last appearance as the Father in ''Lute Song ''in 1946.
His son Angus was Executive Director of Actors' Equity Association from 1952 – 1972.〔(【引用サイトリンク】title=Actors' Equity Association History and Awards )

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